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Ted Demme's coming of age tale is about guys in their 20s who refuse or are unable to mature, which might explain why the most captivating relationship is between Timothy Hutton and the 13-year-old Natalie Portman.
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Natalie Portman, as a 13-year-old on whom Hutton develops a strangely affecting crush, is a delight.
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Does "Beautiful Girls" philosophically aspire to much more than mirroring a Counting Crows lyric from "Mr. Jones?" Maybe not. But there's a barroom eloquence, bottle-bottomed anxiety and stumblebum sadness to it that lingers in its bones.
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In a relationship that skirts bad taste, Hutton and Portman make tender movie magic, giving this big-screen spin on Friends its only moments of true romantic yearning.
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This startlingly uneventful compendium of thick-headed boy-talk and female tolerance squanders a fine cast on incredibly ordinary characters and situations.
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Demme's conversational film is about the gaping chasm between what men say and what they feel. It may not tell us anything new, but its eloquence is quietly rewarding.
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Women may be unimpressed, but men will squirm with recognition.
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The dialogue isn't the only problem with Beautiful Girls. The characters are bad, too.
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Beautiful Girls is always in touch with reality but never drowned in it.
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