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Bottle Shock
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DIRECTORS OF "Bottle Shock"
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CREATORS OF "Bottle Shock"
Bottle Shock
CRITICS OF "Bottle Shock"
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Screenwize
Resource

March 28, 2009

Bottle Shock is one of those cockle-warming, feel-good underdog films in the tradition of Strictly Ballroom. Only in this case Scott and Fran are, respectively, a Chardonnay with tangerine undertones, and a Cabernet Merlot blend.
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MovieTime, ABC Radio National
Resource

March 27, 2009

Predictable in its moves, it's engaging enough, though it has nowhere near the characterisation, say, of Paul Giamatti and Thomas Hayden Church in Sideways.
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The Australian
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April 10, 2009

As a rather strenuous attempt at a feel-good movie, Bottle Shock falls a long way short of the mark.
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Denver Rocky Mountain News
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August 15, 2008

Unfortunately, Miller can't decide whether he's doing a relationship movie or one about the intrigue of world-class winemaking. Mingling the two left me with a somewhat sour aftertaste.
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Times-Picayune
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August 14, 2009

It doesn't exactly come off as boxed wine to the top-shelf sensibilities of Sideways, but there's not enough story or heart for it to capture the same lightning in a bottle.
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Minneapolis Star Tribune
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August 14, 2008

Its heart is so in the right place and its tableau so appealing that it's easy to come away from this sweet, scrappy film with a nice little buzz.
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Chicago Reader
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August 22, 2008

Rickman adds a welcome astringency.
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Sydney Morning Herald
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April 03, 2009

It's not in the same league as Sideways but it has a fragrant sense of the beauty of wine and winemaking, not just the drinking.
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Orlando Sentinel

August 15, 2008

Bottle Shock is... utterly charming.
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Florida Times-Union
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December 24, 2009

With much loving, longing gazing at the Napa Valley landscape, it's awfully good-looking, if you can discount the high-waisted bell-bottoms and the homely yellow AMC Gremlin that wheezes into scenes every once in a while.
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Miami Herald

August 22, 2008

The people who made Bottle Shock obviously love their wine. They're not that crazy about the French. And they are firm believers in the screenwriting rule of leaving no underdog-formula cliché unused.
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