Gangs of New York
Through a series of exciting and dramatic events, the film takes after a youthful called Amsterdam Vallon who comes back to New York subsequent to abandoning it fifteen years prior. Amsterdam tries to execute the man who slaughtered his dad, Bill the Butcher, however he needs to confront a progression of troubles and energizing difficulties to dispose of this perilous man.
23 September 1954, Rome, Lazio, Italy
30 September 1941, Chapeltown, Yorkshire, England, UK
3 August 1973, Liverpool, Merseyside, England, UK
9 June 1968, Stepney, London, England, UK
10 January 1962, Dennistoun, Glasgow, Scotland, UK
20 July 1972, Rome, Lazio, Italy
1956, Islington, London, England, UK
24 June 1955, Northampton, England, UK
1948, Dublin, Ireland
21 May 1953, London, England, UK
20 January 1940, Catania, Italy
January1951, England, UK
11 January 1953, Largs, Ayrshire, Scotland, UK
26 May 1925, Tunbridge Wells, Kent, England, UK
29 March 1955, Dublin, Ireland
1954 in Rome, Lazio, Italy
February 03, 2010
[A] flawed masterpiece.
February 18, 2009
The whole may not add up to the sum of its parts, but it's difficult to dismiss the brilliance of those parts.
October 18, 2008
It's a story of such relevance to New York, to America and even to the rest of the world, that just had to be told on film with as much impact as a filmmaker can muster. And Martin Scorsese musters much.
December 24, 2010
Brilliant but devastating. High schoolers and up.
January 14, 2003
You have to honor its mad ambition. But sadly, it feels like a dream too long deferred.
March 02, 2012
Scorsese scores some fine political points along the way and demonstrates the mastery of his craft in every scene, but the underlying theme of brutal revenge at any cost loses its way too early on...
January 13, 2003
Scorsese's congested, conflicted, entrancing achievement.
January 16, 2003
The result reverberates on the screen with a deadly force and fury more intense than anything Mr. Scorsese has yet achieved on the meanest and most beloved streets he could imagine or recall.
November 23, 2010
One of Scorsese's weakest films, a wannabe historical epic that's essentially a formulaic revenge saga; the only reason to see it is Daniel Day-Lewis' compelling performance as Bill the Butcher.
January 16, 2003
What we're left with has the patness of a history lesson about our roots and the melting pot and what it means to be an American.
January 09, 2003
A triumph of pure craft and passionate heart.
February 09, 2006
It's never less than compelling, driven by an overwhelming, larger than life performance from Day-Lewis and by Scorsese's grandiose historical imagination.
