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IO (2019)
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IO (2019)

Description
Sam (Margaret Qualley), one of the last survivors on a post-cataclysmic Earth, is a young scientist dedicated to finding a way for humans to adapt and survive, rather than abandon their world. But with the final shuttle scheduled to leave the planet for a distant colony, her determination to stay is rocked by the arrival of another survivor, Micah (Anthony Mackie). She must decide whether to journey with him to join the rest of humanity and begin life anew, or stay to fight for Earth's survival.
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CREATORS OF "IO (2019)"
IO (2019)
CRITICS OF "IO (2019)"
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The Twisted Girl Next Door
Resource

January 28, 2019

A film that tries to come off deeper than it actually is.
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Blu-ray.com
Resource

January 24, 2019

Helpert lingers on uninteresting details with glacial pacing, ending up with something best suited for off-Broadway than screens of all sizes.
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Mashable
Resource

January 22, 2019

IO's clichéd reaches for emotional resonance continue throughout the film, landing each time with a hollow thud that left me begging for a toxic storm to wipe the characters and their broody monologues off-screen.
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Film Inquiry
Resource

February 04, 2019

A forced romance, lackluster execution, and a tendency to pander to its audience makes IO come up far shorter than it otherwise could've been.
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RogerEbert.com
Resource

January 18, 2019

IO isn't science fiction storytelling distilled so much as it is vaporized.
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Common Sense Media
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February 05, 2019

Bleak sci-fi dystopian tale has language, dark themes.
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Guardian
Resource

January 18, 2019

A fully formed Netflix original fit for streaming anytime, anywhere.
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New York Times
Resource

January 24, 2019

A film more interested in symbols of human resilience than in the flesh-and-blood passions that animate it.
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Starburst
Resource

January 29, 2019

The slick cinematography can't prevent the film from buckling under the weight of its dull script, laborious pacing and forgettable characters.
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Hollywood Reporter
Resource

January 18, 2019

It's not a good sign... when a movie ostensibly meant to rekindle one's faith in mankind makes you long instead for permanent apocalypse.
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Spokesman-Review (Washington)
Resource

February 15, 2019

Even if the manner in which it unfolds is, in the end, fairly pedestrian, the message it strives to make definitely is not.
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Sydney Morning Herald
Resource

February 07, 2019

It's still watchable enough, thanks to an unsettlingly ambiguous performance by Margaret Qualley...and a spot of clanging contemporary relevance.
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