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Juice
CRITICS OF "Juice"
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Deseret News, Salt Lake City
Resource

January 01, 2000

Despite the script's reliance on familiar cliches, the film never feels like an exploitation thriller, as we genuinely feel for these kids and the life they've fallen into.
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Austin Chronicle
Resource

January 01, 2000

Dickerson's story of street kids at risk breaks no new ground. It is better than most, but not by much. Sure looks good, though.
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Film Threat

May 06, 2005

Commanding performances mesh with solid storytelling
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Washington Post
Resource

January 01, 2000

I'm sure Dickerson has strong feelings about inner-city problems, but if he does he can't convey them.
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Combustible Celluloid
Resource

March 27, 2009

An above-average story of four "boys in the hood."
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Chicago Sun-Times
Resource

January 01, 2000

The movie generates a real tension in its closing passages, as it shows its characters trapped in a plot that seems to be unfolding according to its own merciless logic.
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Time Out
Resource

February 09, 2006

Stylishly shot, it works well as a thriller; the result is energetic and entertaining, without the feeling of difficult truths being forgotten.
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Apollo Guide

February 13, 2001

A Hitchcockian moment in an elevator is perhaps the film's signature set piece.
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New York Times

May 20, 2003

Mr. Dickerson, whose cinematography has been the reason Spike Lee's films look so good, has a terrific eye and some juice of his own.
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Entertainment Weekly
Resource

December 31, 1799

Coming out from behind Spike Lee's camera, Ernest Dickerson has instantly arrived at the forefront of the new wave of black directors. His film aims for the gut, and hits it.
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Variety
Resource

March 26, 2009

Dickerson and co-writer Gerard Brown exhibit a sharp ear for dialog and have some real finds in their largely unknown cast...
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