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Love and Basketball
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Love and Basketball

Description
Quincy McCall and Monica Wright grew up in the same neighborhood and have known each other since childhood. Their love-hate relationship lasts into high school, with Monica's edge and Quincy's top-dog attitude separating them, except when Quincy's parents argue and he climbs through Monica's window to sleep on the floor. As Quincy and Monica struggle to make their relationship work, they follow separate career paths though high school and college basketball and, they hope, into stardom in big-league professional ball.
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DIRECTORS OF "Love and Basketball"
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CRITICS OF "Love and Basketball"
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Reeling Reviews
Resource

April 09, 2005

Thanks to Spike Lee's production company for giving a talented newcomer a good start.
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Sight and Sound

December 03, 2002

It's a fine example of a conventionally made picture which follows all the rules yet still emerges as fresh and original.
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San Diego Metropolitan
Resource

October 21, 2002

Prince-Bythewood, a first-time feature filmmaker out of UCLA's film school, tells a story that is at once warm and heartfelt -- and often funny as well.
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Sacramento News & Review
Resource

August 07, 2008

This romantic drama from writer-director Gina Prince-Bythewood is well-acted.
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Houston Chronicle

July 21, 2005

Satisfying, enjoyable and smart.
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Common Sense Media

January 01, 2011

Good romance, but strong sexuality for a PG-13.
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New York Magazine/Vulture

August 07, 2004

Mawkishly heartfelt, but actress Sanaa Lathan performs as if she were lit from within.
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Variety

March 26, 2007

The pic is so well directed and lead performance by Sanaa Lathan so charismatic that audiences will overlook the script's flaws and root for the central duo.
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Film4
Resource

March 24, 2008

The surprise element here is that the film takes Monica's career, and her love of the game, as seriously, probably more seriously, than it does Quincy's.
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Time Out
Resource

June 24, 2006

Stylishly shot and bursting with visual and sexual energy, this is confident black women's film-making and an eloquent tribute to the girl with the permanently grazed knees -- and about time too.
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Globe and Mail
Resource

December 23, 2002

An unusual but engaging mix of the overwrought and the understated, a picture that, at two hours plus, keeps threatening to overstay its welcome and yet always pulls us back into its conversational orbit.
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Chicago Reader
Resource

March 26, 2007

Told largely from the point of view of the woman, this career-versus-love story still develops the perspective of the man persuasively, as Sanaa Lathan and Omar Epps reveal their characters' motives with nuances of expression that transcend the dialogue.
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