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Nobody's Fool
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Nobody's Fool
CRITICS OF "Nobody's Fool"
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People Magazine
Resource

October 29, 2013

Over time, the rhythms of small-town life and the eccentricities of its residents can grow on you. That's exactly what happens as you watch this sharply observant movie.
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Radio Times
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October 29, 2013

An old hand at this kind of heart-warming fare, Benton doesn't swamp it with sentimentality, allowing the crumpled charisma of Newman to effortlessly carry the drama.
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South Florida Sun-Sentinel
Resource

October 29, 2013

Newman clearly owns the part of Sully, but there is nary a false or uncertain note struck by anyone in this ensemble cast.
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Empire Magazine
Resource

October 29, 2013

Nobody's Fool is an unprecedented treat, populated with charming, believable characters and a parting shot so beautiful even the hardest of hearts will melt helplessly at its sight.
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Orlando Sentinel
Resource

October 29, 2013

Nobody's Fool is funny at times and as cuddly as an old teddy bear. But this movie is being taken far too seriously in some circles.
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Christian Science Monitor
Resource

October 29, 2013

Robert Benton has made Nobody's Fool, a return to the finely humanistic spirit that made his Places in the Heart and Kramer vs. Kramer' so popular.
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Seattle Times
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October 29, 2013

While watching Robert Benton's sublime adaptation of Richard Russo's novel, it's hard to avoid the realization that movies like this have become an endangered species.
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Chicago Tribune
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October 29, 2013

We love to see our movie gods play flawed souls, especially a god with a face that looks like one on a Roman coin.
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Philadelphia Daily News
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October 29, 2013

Director Robert Benton captures the droll eccentricity of small-town life without any of the usual phony preciousness.
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Los Angeles Times
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October 29, 2013

Moviegoing holds few pleasures greater than watching an established star completely inhabit a role that exactly suits his personality and abilities. And seeing Paul Newman in Nobody's Fool defines that pleasure.
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Philadelphia Inquirer
Resource

October 29, 2013

The principal pleasure of this film directed by Robert Benton is that its characters are carefully drawn and developed rather than applied like so many decals on a two- dimensional wintry landscape.
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New Yorker

October 29, 2013

The movie is both a star vehicle and an ensemble piece; the other actors revolve around Newman yet give off more than just his reflected light.
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