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Orlando
CRITICS OF "Orlando"
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Film4
Resource

March 23, 2015

Sumptuous and witty book-to-screen treatment for Virginia Woolf's novel, with graceful and ambitious direction by Sally Potter.
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Baltimore Sun
Resource

March 23, 2015

It wanders from the frozen London of the 1600s to the battlefields of World War I and has fun all the way. You haven't seen anything like it.
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Empire Magazine
Resource

March 20, 2015

What it perhaps lacks in content, the film more than makes up for in its stunning design and accesible, humorous approach.
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Tulsa World
Resource

March 23, 2015

Writer-director Sally Potter's film, based on the classic Virginia Woolf novel, is a lyrical history lesson on the nature of sexual politics.
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Seattle Times
Resource

March 23, 2015

Reminiscent of the low-budget lushness of the early films of Peter Greenaway and Ken Russell, Orlando could turn out to be the art-house smash of the summer.
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South Florida Sun-Sentinel
Resource

March 23, 2015

Unlike anything onscreen this month or this year, Orlando is serious, provocative and sometimes funny fare. Novelist Virginia Woolf might well be pleased.
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Orlando Sentinel
Resource

March 23, 2015

Potter possesses a natural gracefulness in presentation that helps a little but, finally, not nearly enough. Orlando is vague when she means it to be mysterious, coy when it ought to be witty, familiar when it should be bold.
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Chicago Tribune
Resource

March 23, 2015

What it lacks in coherence it makes up for in sheer spectacle.
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Philadelphia Weekly

March 23, 2015

Credit where credit is due: Potter more or less successfully converted a crazy, overflowing tome into something simple and attractive.
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Los Angeles Times
Resource

March 23, 2015

Though visually impressive and assured, it is the hollowest of successes, all chic set design, smug posturing and self-satisfied attitude.
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ReelViews
Resource

March 23, 2015

See Orlando for its fabulous costumes, fascinating look at changing eras, and impressive performance by Tilda Swinton. Viewing this film for other reasons will almost certainly lead to a negative impression.
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Philadelphia Inquirer
Resource

March 23, 2015

The good news about this historical vaudeville is that Orlando's consciousness, like his/her gender, is a delightful work-in-progress.
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