Pitch Black
A space ship looses track and falls Into an unknown planet filled with strange creatures, the crew members Must survive on this new planet.
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![I vizi morbosi di una governante [Audio: Italian]](https://static.gomovies-online.cam/dist/img/uxflD3kcqol_-ZVg8Ls7TveHdDcFuhIKjWvXevLx_pFW3bkOtV52aVFoUtaavY6odM1peKHr_pn9acSjBJ8C9NUCRnI8xLLER-qtsdgPxfkjL2t317Rr8phqQe59_7Xf.jpg)
29 April 1984
4 June 1956, Harlem, New York City, New York, USA
16 April 1985, Australia
15 November 1958, Adelaide, South Australia, Australia
12 November 1973, Melbourne, Victoria, Australia
8 October 1961
22 March 1975, Santa Barbara, California, USA
11 October 1972, Sydney, New South Wales, Australia
18 July 1967, Alameda County, California, USA
May 11, 2011
contains unpredictable nuances that make for thrilling amusement
August 02, 2009
...your typical run-for-your-life-the-monsters-are-coming science fiction adventure that requires one to park his brain at the front door of the theater before entering.
April 29, 2009
One of the better sci-fi movies to come around in a very long time.
September 11, 2013
A solid creature feature, but not at all a revelatory one.
January 01, 2000
It's not an especially challenging part, but Diesel handles it with aplomb.
February 05, 2014
Pitch Black is such a stinker that it makes Twohy's previous sci-fi thriller, The Arrival, look halfway decent.
January 01, 2000
Pitch Black is the movie of the season for sci-fi and horror fans!
March 22, 2002
The script is a compendium of science-fiction clichés, familiar in Hollywood movies since the early fifties.
August 13, 2013
Original Riddick pic is violent, with teamwork rewarded.
January 01, 2000
[David Twohy] tweaks this formulaic escape-from-hell story with just enough original touches to give it a lift.
January 01, 2000
Proving that low-budget genre-based entertainment can be just as easily ferociously inventive and character-driven as its big-budget competition can be lazy and boring.
June 24, 2006
A smart, suspenseful sci-fi movie from director Twohy, whose underrated 1996 film, The Arrival, also brought visual imagination and intelligence to the genre.
