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Snake Eyes
Ricky Santoro, who is a police detective, attends a boxing match and got caught on a murder conspiracy. As the investigating officer, Rick soon finds out that the assassination involving his best friend. The conspiracy is shocking and terrified everybody after is is uncovered.
![[18+] Fifty Shades Darker](https://static.gomovies-online.me/dist/img/If2espeGcowCMS4w8YXz3N_flpfpUr1fTP4Wq6IevRNj-HcjwSh9fZIWDw_FPvc0iVT2FxIvZydPDsuzqG-zTtsNA76mizMnBW9e2JeuDrkePTtZlP42ep1W8dMlJWFg.jpg)
9 December 1961, Des Moines, Iowa, USA
29 July 1950, Queens, New York City, New York, USA
12 April 1964, Montréal, Québec, Canada
26 June 1967, Crossville, Tennessee, USA
18 May 1972, Quebec City, Quebec, Canada
10 September 1960, Montréal, Québec, Canada
11 September 1951, Philadelphia, Pennsylvania, USA
14 March 1959, McKeesport, Pennsylvania, USA
28 September 1936, Watsonville, California, USA
26 June 1967, Boise, Idaho, USA
12 February 1961
30 October 1960, Montréal, Québec, Canada
22 February 1960, Philadelphia, Pennsylvania, USA
13 July 1955, New Orleans, Louisiana, USA
24 October 1960, Teaneck, New Jersey, USA
29 August 1971, Sarasota, Florida, USA
3 December 1959
27 November 1960, Tappan, New York, USA
14 July 1952, Chicago, Illinois, USA
September 23, 2006
Snake Eyes is about multiple perceptions of one major event, their relationship to each other and to the audience.
May 26, 2006
The first 20 minutes of Snake Eyes are among the most imaginative and energetic minutes of film I've seen in a while.
January 24, 2006
A moderately suspenseful thriller that seems somewhat conventional compared to De Palma's earlier envelope-pushing efforts. Intriguing, but the mystery villain is rather obvious from the start.
September 18, 2008
Brian De Palma's exercise in flashy paranoia and shallow cynicism comes out of the gate like gangbusters, but falls apart in a flurry of preposterous plotting.
July 12, 2002
Director Brian De Palma does his stylish best to weave the patchy script into a cinematic quilt, but despite his best efforts -- and they're often formidable -- the thing just doesn't cohere.
August 21, 2009
De Palma continues perfecting his brilliant visual style within the most blatantly artificial plot scenarios.
June 18, 2002
What might have been fascinating after a while becomes frustrating and, finally, a real slog.
April 27, 2007
Never loses its bearings as it hovers between preposterous paranoia and a Billy-Wilder-like moral fable about a deeply flawed hero who draws a line in the sand beyond which he cannot go.
September 18, 2008
Aside from a sensational, continuous 20-minute opening take, and an amazing shot that literally swoops over the top of a row of hotel rooms, there's little of interest here.
February 09, 2006
The film echoes the technical wizardry and complex plotting of De Palma's best film, Blow Out.
January 01, 2000
It's the worst kind of bad film: the kind that gets you all worked up and then lets you down, instead of just being lousy from the first shot.
September 18, 2008
Wispy threads of dramatic plausibility and character involvement unravel completely by the time of the incredibly silly final reel.
