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The Adventures of Baron Munchausen
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DIRECTORS OF "The Adventures of Baron Munchausen"
The Adventures of Baron Munchausen
CRITICS OF "The Adventures of Baron Munchausen"
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People Magazine

November 15, 2013

Its intellectual intent and the physical production seem disconnected, leaving a film that bedazzles the eye even as it bedevils the mind.
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Radio Times
Resource

November 15, 2013

It's an opulent odyssey that balances romance, comedy and thrills in one glittering and constantly surprising package.
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Film4
Resource

November 15, 2013

For a picture big on in-camera special effects, few of the explosions and set pieces can eclipse the parade of cracking performances.
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Total Film
Resource

November 15, 2013

The carnivalesque chaos is anchored in stage actor John Neville's charismatic lead turn.
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Orlando Sentinel
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November 15, 2013

The king is completely out-of-control, and so was Gilliam in making this film. Neither has much of a sense of proportion, but both are hard to ignore.
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Tulsa World
Resource

November 12, 2014

The Adventures of Baron Munchausen is a fairy tale of large heart and limitless vision. Like its maker, it staunchly defies the exigencies of reason to pursue a bigger vision of imagination.
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Chicago Tribune
Resource

November 15, 2013

There is much to see on this journey, all of it presented in the abundant, deep-focus detail that is Gilliam's visual trademark.
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Philadelphia Inquirer
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November 15, 2013

One of the most voluptuously beautiful films ever imagined, Munchausen naturally assumes that surrealism is preferable, that through make-believe we find the way to true beliefs.
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South Florida Sun-Sentinel
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November 15, 2013

Superbly photographed and marvelously lighted, this remarkable set piece of art direction and stunning decor cures many of its own ills, including a screenplay that meanders grandly.
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TIME Magazine
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November 15, 2013

A lavish fairy tale for bright children of all ages.
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Variety
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October 18, 2008

A fitting final installment in Terry Gilliam's trilogy begun with Time Bandits and continued with Brazil.
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Los Angeles Times
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November 15, 2013

The sheer volume and invention of Gilliam's visual largess sets him apart, and his wit operates for the most part at a dangerously sophisticated level.
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