The Death of Stalin (La mort de Staline)
Follows the Soviet dictator's last days and depicts the chaos of the regime after his death.
5 May 1943, Ranmoor, Sheffield, Yorkshire, England, UK
19 March 1947, Cork, Ireland
7 March 1974, Middlesex, England, UK
5 September 1963, London, England, UK
19 January 1957, Hertfordshire, England, UK
8 July 1944, San Francisco, California, USA
October 1, 1959 in selo Vodyanoe, Lvovskaya oblast, Ukrainian SSR, USSR
9 May 1977, Chichester, England, UK
17 May 1958, Stanleytown, Rhondda, Wales, UK
December 21, 2017
Kudos are deserved everywhere for a well-written, beautifully played and offbeat piece of re-imagined history that's always funny despite humour sometimes stemming from a distinct sense of unease.November 20, 2017
... a little gem of black humor and historical revision. [Full review in Spanish]November 10, 2017
A dark, hilarious tour de force.January 22, 2018
...some genuinely hilarious set ups and a nice mixture of farce and other styles of comedy.September 11, 2017
It will more than satisfy Iannucci's fans at arthouses; here's hoping we don't have to wait another eight years to see the director's next film.January 26, 2018
"The Death of Stalin" is a wickedly funny, pointedly scathing satire of corrupt power run amok.September 11, 2017
The Death of Stalin marks the first instance in which Iannucci has applied his style to real-life figures, and it's as though he has crafted a historical foundation for the rest of his work.September 14, 2017
Its application of [Iannucci's] signature barbed comic voice to such grim history (executions are a constant source of gallows humor) packs its own punch.December 21, 2017
There's real horror in it too at times...It's a risk, where it could've been guilty of overreaching, but there's a chaotic tone here established into which it all fits quite snugly.September 11, 2017
A delicious black comedy ...September 11, 2017
There is one thing that power can't stand, and that is to be mocked: The social importance of this topical romp should not be underestimated.October 18, 2017
A riotous farce of doublespeak and plotting laced with moments of bitumen-black horror.