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The Fourth Kind
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DIRECTORS OF "The Fourth Kind"
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CREATORS OF "The Fourth Kind"
The Fourth Kind
CRITICS OF "The Fourth Kind"
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Suite101.com
Resource

September 25, 2010

If there were a low point of viral movie marketing last decade, consider "The Fourth Kind" the Marianas Trench. The title refers to four levels of alien interaction, and the pedestrian plotting on display proved Steven Spielberg stopped at the right one.
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Georgia Straight
Resource

July 06, 2010

The eerie-jumpy bits simply don't pan out satisfyingly or convincingly.
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BrianOrndorf.com
Resource

June 02, 2010

"Attempting shock value and extraterrestrial disturbance to generate a cult smash, Kind will likely tire audiences before it ever has a chance to swindle them."
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ComingSoon.net
Resource

March 22, 2011

It's an interesting meta-textual experiment, but that doesn't in itself make for an interesting movie, or a suspenseful one. There are things to like about it, but the whole doesn't really seem equal to the sum of its parts.
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At the Movies

November 09, 2009

No, no, no, no.
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American Profile
Resource

September 30, 2011

Something weird is going on in Nome, Alaska. Unsolved murders. suicidal freak-outs. a bunch of people having eerie, similar nightmares. and a spooky white owl.
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New York Daily News
Resource

November 06, 2009

Badly acted by everyone (including the director, Olatunde Osunsanmi, who appears onscreen), this insipid jumble's idea of fright is incessant screaming.
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Time Out
Resource

November 11, 2009

Unfortunately, none of the subsequent noise is all that scary, and the striving for Paranormal Activity's buzz is shameless.
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Lessons of Darkness
Resource

January 05, 2011

[The] ostensible archival footage proves so clunky and transparently phony that the entire gimmick collapses.
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At the Movies

November 09, 2009

[A] dull, clumsy little movie.
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San Francisco Chronicle
Resource

November 06, 2009

Ultimately, the film's narrative segments are far too glossy and over-stylized, larded with ponderous scoring, obvious melodrama and split-screen visuals that offset the "reenactments" with the "real."
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NPR
Resource

July 04, 2010

When the director divides the screen into quadrants for his big finish, the effect is just laughable -- but then by that point, the movie is too.
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