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The Greatest Showman
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DIRECTORS OF "The Greatest Showman"
The Greatest Showman
CRITICS OF "The Greatest Showman"
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ScreenRant
Resource

December 28, 2017

The Greatest Showman is a disjointed, glossy, sugar-coated mess that just skates by on Jackman's natural charm and charisma.
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The New Paper (Singapore)
Resource

December 28, 2017

Stare all you want at this motley crew of misfits because they give us sentiment and entertainment in return.
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The Times of India
Resource

December 28, 2017

What stands the film apart is its relevance to today's times. It touches upon social issues like class discrimination or aversion towards human abnormalities that continue to plague our society even today.
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Creative Loafing
Resource

December 28, 2017

Hugh Jackman is asked to merely coast in a splashy but shallow picture that might as well have been called American Idle.
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Globe and Mail
Resource

December 22, 2017

The closest it gets to a hummable toe-tapper is Come Alive, which, at the risk of damning with faint praise, sounds like a Miami Sound Machine D-side.
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SF Weekly
Resource

December 28, 2017

The Greatest Showman is an entertaining trifle.
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Village Voice
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December 21, 2017

The Greatest Showman is a perfunctory effort in story, music, dance, and direction that proffers empty messages about uniqueness, reaching not for the stars but for bland homogeneity.
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Salon.com
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December 22, 2017

This isn't the story of Barnum's life, but a formulaic rags-to-riches story grafted onto the broad outlines of Barnum's career as a circus entrepreneur.
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BBC.com
Resource

December 28, 2017

... [Hugh Jackman's] feel-good new film, The Greatest Showman, is where he truly gets to unleash his inner trouper, and he barely stops singing, dancing and flicking around a top hat from beginning to end.
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San Diego Reader
Resource

December 22, 2017

Historians now agree that Barnum wasn't the one who said "There's a sucker born every minute," but it's hard to escape the feeling that you're being sold a poptimist bill of goods here.
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Time Out
Resource

December 21, 2017

An old-fashioned musical with a none-more-zeitgeisty songsheet, it may not be a flawless piece of storytelling, but it's a pretty decent show.
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New Yorker
Resource

December 26, 2017

The director, Michael Gracey, delivers quick doses of excitement in splashy scenes but has little feel for the choreographic action, offers scant historical substance, and displays slender dramatic insight.
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