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The Man Who Shot Liberty Valance
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DIRECTORS OF "The Man Who Shot Liberty Valance"
The Man Who Shot Liberty Valance
CRITICS OF "The Man Who Shot Liberty Valance"
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Movie Views
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December 09, 2010

The best film about bullying ever made.
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7M Pictures
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January 09, 2010

The movie does not offer a clean-cut look at morality and heroes, who emerge from a reluctant position, but it does draw a definitive line between good and evil.
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Film4
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April 29, 2013

John Ford's last great film, The Man Who Shot Liberty Valance is also one of the last classic Westerns to come out of Hollywood.
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Chicago Reader
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April 24, 2009

A great film, rich in thought and feeling, composed in rhythms that vary from the elegiac to the spontaneous.
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TV Guide
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April 29, 2013

A solid, if overrated, Ford western, one with its share of cliches and predictability. It's still fascinating to watch Wayne and Stewart deal with hellion Marvin in a changing West.
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Time Out
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February 09, 2006

Ford's purest and most sustained expression of the familiar themes of the passing of the Old West, the conflict between the untamed wilderness and the cultivated garden, and the power of myth.
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Chicago Sun-Times
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December 30, 2011

There is a purity to the John Ford style. His composition is classical. He arranges his characters within the frame to reflect power dynamics -- or sometimes to suggest a balance is changing.
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Contactmusic.com
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April 29, 2013

The Citizen Kane of westerns.
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Variety
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July 07, 2010

John Ford and the writers have somewhat overplayed their hands. They have taken a disarmingly simple and affecting premise, developed it with craft and skill to a natural point of conclusion, and then have proceeded to run it into the ground.
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New York Times
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May 09, 2005

A basically honest, rugged and mature saga has been sapped of a great deal of effect by an obvious, overlong and garrulous anticlimax.
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New Yorker
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April 29, 2013

There's much to say about it; the simplest is that it's both the most romantic of Westerns and the greatest American political movie.
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